For the New Era

VOLUME I
Mansion on a Hill (live) :: Bruce Springsteen
The Way It Was :: Mark Snow
A Change Is Gonna Come :: Sam Cooke
I Know :: Fiona Apple
Sonata for Cello & Piano in G Minor :: Frederic Chopin
Stillness of Heart :: Lenny Kravitz
Ceremony :: Tom Vedvik
Cruisin’ :: Huey Lewis and the News with Gwyneth Paltrow
Cherry Blossoms :: Dominic Lewis
Over My Head :: Fleetwood Mac
Death Letter :: Cassandra Wilson
Don’t Be Cruel :: Billy Swan
I Shall Be Released :: Nina Simone
You Are My Sunshine :: Alan O’Bryant
Melissa (live) :: The Allman Brothers Band
Southern Cross :: Crosby, Stills & Nash
Body and Soul :: Coleman Hawkins
New San Antonio Rose :: Bob Wills and his Texas Playboys
I’ll Fly Away :: Gillian Welch & Alison Krauss
Stolen Car :: Bruce Springsteen

VOLUME II
Don’t Fence Me In :: Darla Hawn
Los Tiempos Van Cambiando :: Franky Perez
In My Room :: Jakob Dylan & Fiona Apple
The Old Ship of Zion :: The Roberta Martin Singers
Tom Traubert’s Blues (live) :: Rod Stewart
Piano Sonata No. 14 in C Sharp Minor :: Ludwig van Beethoven
Hands of Time :: Groove Armada
Spinning :: Zero 7
Holding Back the Years (jazz version) :: Simply Red
Mandolin Rain :: Bruce Hornsby & The Range
Angel Band :: Molly Mason & Russ Barenburg
There’s a River :: Steve Winwood
Dos Gardenias :: Ibrahim Ferrer
Will the Circle Be Unbroken :: June Carter Cash
Running on Faith (Unplugged) :: Eric Clapton
Always On My Mind :: Willie Nelson
Oliver :: Richard Marvin
Preludes, Opus 28-#17 in AB Major :: Frederic Chopin & Roy Eaton
Forbidden Love :: Madonna
Angel :: Rod Stewart

VOLUME III
You Go To My Head :: Billie Holiday
So Was Red :: Thomas Newman
Have You Ever Seen the Rain :: Willie Nelson & Paula Nelson
Serenata de Amor :: Jaime R. Echavarria
Little Wing :: Sting
Piano Concerto No. 5 in E Flat Major II :: Ludwig van Beethoven & Helene Grimaud
Anyone Who Knows What Love Is :: Irma Thomas
Take Me :: Mable John
Goodbye :: Emmylou Harris
Protection :: Massive Attack
I’d Rather Go Blind :: Chicken Shack with Christine McVie
Watermark :: Enya
Save the Last Dance for Me :: The Drifters
Wichita Lineman :: Glen Campbell
Heart of the Heartland :: Peter Ostroushko
Radiation Ruling the Nation :: Massive Attack
River :: Leon Bridges
Sleepwalk :: Santo & Johnny
Balderrama :: Mercedes Sosa
Heaven :: Simply Red

VOLUME IV
Ruler of My Heart :: Irma Thomas (check out a sultrier version here.)
Live to Tell :: Madonna
Farewell Daddy Blues :: Margot Bingham & David Mansfield
I Cover the Waterfront :: John Lee Hooker (for Crosetti)
I Only Have Eyes for You :: The Flamingos
Pretty Ballerina :: The Left Banke
Silencio :: Ibrahim Ferrer & Omara Portuondo
Teardrop :: Massive Attack
Happy :: Bruce Springsteen
And I Love Her :: The Beatles
One More Night :: Phil Collins
La Ultima Copa :: Felipe Rodriguez
Tell It Like It Is :: Aaron Neville
Nearer My God to Thee :: I Salonisti
Danny’s Song :: Neko Case
I’d Rather Go Blind :: Rod Stewart
Straight From the Heart :: Irma Thomas
Sundown :: Gordon Lightfoot
Take a Bow :: Madonna
Songbird :: Fleetwood Mac

VOLUME V
One Step Up :: Bruce Springsteen
That’s All Right :: Mighty Joe Young
These Dreams :: Heart
There Is Something on Your Mind :: Big Jay McNeely
I’m on Fire :: Bruce Springsteen
Morning Has Broken :: Cat Stevens
I’d Rather Go Blind :: Etta James
Linger :: The Cranberries
Suds on the Roof :: Thomas Newman
Time After Time :: Cyndi Lauper
Air :: Johann Sebastian Bach, Cuba Percussion & Klazz Brothers
Ain’t Wastin’ Time No More :: The Allman Brothers Band
The Space Between :: Zero 7
La Sitiera :: Omara Portuondo
Please Come Home for Christmas :: The Eagles
Something (live) :: Norah Jones
These Ain’t Raindrops :: James Carr
Doin’ Time :: Lana Del Rey
Stardust :: Django Reinhardt
Holding Back the Years :: Simply Red

VOLUME VI
Carry Me :: Chris DeBurgh
Don’t Dream It’s Over :: Crowded House
Dream A Little Dream of Me :: The Mamas & The Papas
Can’t Find My Way Way Home :: Blind Faith
Don’t :: Zoe Kravitz
Everywhen :: Massive Attack
It’s Raining :: Irma Thomas
Come Live with Me :: Stacey Kent & The Vile Bodies
Give Me One Reason :: Tracy Chapman
That’s How Strong My Love Is :: Otis Redding
I Shall Believe :: Sheryl Crow
Why Try to Change Me Now :: Fiona Apple
Playground Love :: Air
Nisi Dominus :: Antonio Vivaldi & Andreas Scholl
The Single Petal of a Rose :: Duke Ellington
My Heroes Have Always Been Cowboys :: Willie Nelson
Gotta Get Away :: Harry Krapsho
Into the Mystic :: Van Morrison
Carefree Highway :: Gordon Lightfoot
Little Bird :: Annie Lennox


Click here to listen to this playlist on Spotify or scan the QR code below.

Have a rum cake

This is a recipe for the Dan Mudd Rum Cake, one of my all-time favorite desserts, named after a former colleague from the Corpus Christi Caller-Times.

This is a recipe for the Dan Mudd Rum Cake, one of my all-time favorite desserts, named after a former colleague from the Corpus Christi Caller-Times.

I made one this morning. It gets better and better every year.

Enjoy.

The cake:
— 1 cup pecans, halved or coarsely chopped
— 1 package of yellow cake mix, any brand but not a pudding mix
— 1 package of instant vanilla pudding mix
— 4 medium or large eggs (not extra-large or jumbo)
— 1/4 cup cold water
— 1/2 cup vegetable oil
— 1/2 cup of rum (any kind of rum, but do not use a Jamaican-type of rum)

Directions
— Preheat oven to 325F degrees
— Grease and flour 10-inch tube (angel-food type) pan
— Sprinkle nuts over bottom of pan
— Mix all cake ingredients
— Pour batter over nuts
— Bake for about 40 minutes
— Cool for about 30 minutes
— Make glaze while cake is cooling
— Prick deeply all over the top of the cake with a toothpick or thin knife
— Drizzle and smooth glaze evenly over top and sides, allowing glaze to soak into cake
— Keep spooning the glaze over cake until all glaze has been absorbed
— After all has cooled at room temperature, run knife along edge of cake and along center tube, and remove cake from pan

The glaze (make while cake is cooling)
— 1/2 cup of butter or 1/2 cup stick oleo (do not use tub or watered-down soft spread)
— 1/4 cup of water
— 1 cup of sugar
— 1/4 cup of rum

Directions
— Melt butter or oleo in a medium-sized saucepan
— Stir in water and sugar
— Boil for five minutes, stirring constantly
— Remove from heat and cool slightly
— Stir in rum slowly
— While warm, spoon over cake

The brilliant, deadly light: A remembrance of 9/11/01

There is nothing special about what was expressed below. The words and phrases capture the kind of raw emotions of fear, sadness and confusion that I’m sure many others felt. But they were honest, heartfelt and hopeful … and blissfully ignorant of what was to come over the next two decades.

A few weeks ago, I thumbed through some of my older files in a search for something completely unrelated to Sept. 11, 2001. I found this collection of musings I wrote about two weeks after the terrorist attacks.

I was a newspaper editor in Corpus Christi, Texas, at the time, and most of the newspaper’s staff worked for two weeks straight after 9/11, without a break, to make sense of the tragedy for our readers and help them prepare for what would follow. It was some of the best work of my journalism career.

There is nothing special about what was expressed below. The words and phrases capture the kind of raw emotions of fear, sadness and confusion that I’m sure many others felt. “There is something there in my human heart,” I unabashedly admitted to myself, “something sad, silent, burning and heavy that will always be with me.” The musings may not make complete sense, and they may not be the most eloquent thoughts I ever put down on paper.

But they were honest, heartfelt and hopeful … and blissfully ignorant of what was to come over the next two decades.

This was written sometime in late September 2001. I was 27 years old.


It’s been over two weeks since the terrorist attacks took place, and yet it feels like a year, with barely any memory of the 27 years of my life that preceded Sept. 11’s images of burning skyscrapers, screaming New Yorkers, scorched Pentagon offices, and exhausted newscasters.

The last several days since have seen my anger misdirected at the ones I love the most, depression, restlessness, sleeplessness, and a plethora of other emotional disruptions. These enduring problems have brought me here, looking for some sort of alleviation or answer through what I know best: the written word.

I’m linked to the rest of the world through my personal anguish over what took place in New York, Washington, DC, and Pennsylvania. Yet I think I endured the tragedies in a way a comparatively select few in our nation could appreciate. From a distance. From a place of safety. Immersed in my own pain and anguish. Certainly nothing as intense as the men and women who lost loved ones or saw them injured. But there is something there in my human heart — something sad, silent, burning and heavy that will always be with me.

I’m a news copy editor, one of about a dozen intelligent and well-read professionals who help to produce this newspaper every evening of the year. I edit articles written by our reporters and by reporters from various wire services from across the country. I’m also a page designer, which means I place the articles on the pages, along with most of their accompanying pictures. It’s quite easy, and the richness of the river of information that flows past and through me on an hourly basis successfully seduces me back to my desk every afternoon.

But the morning of Tuesday, Sept. 11, 2001, was a watershed moment for me.

I joined the newsroom two years ago the way a wanna-be cop hangs out at cop bars — to feel the pulse of the news cycles, to sense waves of energy as a story builds and reporters jump into action, to listen to the everlasting debates between what’s legitimate news and what’s simply tabloid garbage. It’s so much fun. I never considered myself as intelligent as my colleagues but I eventually felt acceptably proficient at what copy editors do, and I suppose I’ve managed to make a decent contribution to the newspaper.

What I saw take place in this newsroom was an astounding example of what reporters and my fellow copy editors are capable of. It was, as D-Day was once described, the Day of Days. Three incredible newspapers — two extras and a special edition — were produced in one day, something accomplished by only a half-dozen other newspapers in the country. We all worked to cover the story of our lives, trying to explain the terrorist attacks to the public as we privately tried to explain it to ourselves. I was never more proud to count myself among these incredible men and women.

Most of us worked on the weekends, so my days off were Tuesday and Wednesday. I awoke that morning feeling happy. It had been a boring and quiet work week, and I was ready for two days of relaxation. I reached over to turn on my nightstand alarm clock radio. As always, it was tuned to NPR’s “Morning Edition.” I heard the host, Bob Edwards, announce that a plane had struck one of the towers at the World Trade Center. He said that smoke billowed from the building.

I remember selfishly thinking, “Well, that’s interesting. Perhaps the wire editor or Page One editor will do something good with this. Thank God I’m off today.”

But my ever-curious semi-journalist ears were pricked up, so I switched on the TV – permanently set on CNN – to see what I imagined would be a little single-prop plane that perhaps nicked the tip of one of its wings on one of the towers, perhaps being pulled out of the Hudson. But that was not what I saw.

The moment

The phone rang minutes later. It was the newspaper’s metro editor. He said an extra edition was going to be published, that everyone was being called in, that this situation was major. I said I would be there as soon as I could.

“And there it was,” I thought. The moment I waited for yet never hoped for had finally arrived, a day in which the history books would never – could never — overlook. I could sense that strong, huge, great gears were beginning to turn, carrying me back to the heart and mind of this great entity where I held a seat and played a role. This was an emergency, and we were going to be there to meet it head on, turning this massive ship towards the emergency, to begin as carefully yet as quickly as possible to piece together a first draft of history. It sounds so cliché, but it still seems so true.

This was the essence of what I always thought a newspaper did, and yet even with the entrance into a new century, the impeachment of a president or the closest presidential election in history, it was not enough of a challenge to our capacity to marshal our creative and intellectual forces. History had thrown a huge puzzle up into the air, and it was up to me and to us to piece enough of it together to make sense of it to ourselves before making sense of it to our readers.

But the true significance of the emergency did not dawn on me until I arrived at the Caller-Times. The second plane had struck the second tower, the Pentagon was hit, and one of the towers had collapsed. The second one collapsed soon afterwards. I never saw so many of my co-workers at the same time before, everyone tense and talkative, busily preparing for something, printing out the first pictures from the Associated Press and tapping away at keyboards.

The editors and designers from the Features department — they worked regular 9-to-5 hours — had been moved over from their offices down the hall and into the newsroom to start collecting photos and the initial stories coming off the news wires. They sat at my desk and at my colleagues’ desks. So most everyone who arrived after me was displaced. They moved over to share desks with the sports editors and designers, who occupied the dozen or so cubicles next to ours. It seemed more people were standing than sitting.

As I walked through the melee, the editor of the newspaper’s Sunday edition — the senior editor/designer among us — calmly smiled at me. He looked relieved to see me. His hair was still wet from a shower that must have come as unexpectedly early as mine had. We were among the first of our news editing team to arrive. CNN was blaring from every television in the newsroom. Phones everywhere rang and rang.

The work

The executive editor — the newspaper’s supreme commander — gathered the reporters, editors, page designers and photographers for a quick briefing. Everyone looked nervous. Some took notes as she spoke. Others just stared at her or down at the ground. One seemed to have tears welling in her eyes. Another looked like he had been crying for a while. I was numb, not from fright or nervousness. I felt like I was bracing for some kind of impact, but now I think it was simply that I grimly anticipated that there were some long days and nights ahead. I don’t mean workload – I mean enduring a tremendous amount of work combined with the normal grieving process that I knew I would not allow myself to experience until the work was done … a process I’m experiencing now, with these words and thoughts.

The plan was ambitious. The editor wanted two extra editions printed before we began preparing the regular newspaper for Wed., Sept. 12. The first extra would be done by 2 p.m., the second only a few hours later, and then the real workday would begin. The newsroom jumped into action, meetings were held, the dummies for pages were distributed to designers, photos were selected, and the budgets (the master list of wire service and local stories we might use, along with their designated pages) were printed.

I had a simple peripheral role — as did many others — of designing a few inside pages. A few people worked on finding the right pictures and keeping track of who was using them. The executive editor and the Sunday editor who was relieved to see me worked together on what would appear on the front pages.

Information on the attacks continued to pour in, some of it reliable, some of it not. Most of the televisions were muted so their sound was no longer a distraction. The roaring hurricanes of fragmentary information, images, speculations, and so much more swirled through my mind. A rudimentary “news crawl” moved along the bottom of CNN’s screen, with some headlines predicting 10,000 fatalities, rumors of a bomb at the State Department, possible attacks in other cities. CNN showed the planes slamming into the towers over and over again. The deathly bright orange of the explosions, the people leaping from the upper floors, the horrifying straightforwardness of two of the world’s tallest buildings collapsing into ash, fire and smoke as a global audience watched … they played it over and over and over again.

There was no real time to mourn or try to really comprehend what was happening to New York City or Washington D.C. There was no real opportunity to sit back and contemplate what this would mean for the weakened economy or the missile defense initiative or even the social consciousness of my generation. Perhaps the only real concern in the back of my mind, aside from trying to finish those pages, was: Is this just the beginning? Are there more attacks coming? Immersed as I was in such an avalanche of information, both reliable and not, I suppose any emotional reaction — fear, sadness, anger — was not really allowed to surface, even as they boiled beneath the veneer of steady professionalism.

A brilliant, deadly light

As I write this, I think of my colleagues. They’re all tired now, most of them surely much more exhausted than me. Many seemed so burned out by the never-ending coverage, even though some semblance of normality seems to be returning. It’s like we were plunged into a dark tunnel since the attacks took place, piecing together the world around us with penlights.

Does anyone remember Connie Chung’s Gary Condit interview, HBO’s “Band of Brothers” series, or Madonna’s Drowned World tour? Does anyone care anymore? It’s our job to keep our little city informed of the world’s events. There was time when it was easy, when we had the luxury to debate the importance given to Andrea Yates or a spy plane lost in Chinese territory.

Naturally, I have as many questions as anyone else: Were the attacks part of a greater plan? Is Osama bin Laden truly the man behind the terrorism this time? Will Bush’s “war” take years to accomplish objectives that are not yet announced?

Ironically, with the resources and information provided by countless newspapers and news services at my fingertips, I have no better perspective than someone working on depositions at the courthouse, someone selling clothes at the mall, or someone begging for change on the seawall. The stories all ask the same questions, all chase the same sources, all come up with the same hollow predictions from unnamed sources.

When will we have all the answers? Are we on the verge of a third world war? How will this new fight change the United States? How will this new era change my generation as we grow into journalism’s leaders? How will this change me? Will we ever emerge from this dark tunnel? What awaits us in that brilliant, deadly light?


Two decades later, I wrote a shorter version of this remembrance as my contribution to Texas Public Radio’s collection of memories marking Sept. 11, 2021. You may read it here.

Videos I Love: ‘Life is short. Let’s play a song’

If I have any friends left when I die, perhaps they’ll sing this for me.

I’m occasionally sharing some light thoughts on a few videos that make me smile, make me think, or preferably do both. Read more from this special series here.

The season premiere of one of my favorite TV shows, “Treme,” was recently delayed until fall 2012.

Here’s one of my favorite scenes from the heartbreaking series. A guitar player has been killed, and his friends gather to remember him in the only way they know how. If I have any friends left when I die, perhaps they’ll sing this for me.

Don’t fight back the tears.

Rebecca Aguilar

#CallingAllJournalists Initiative | Reporter | Media Watchdog | Mentor | Latinas in Journalism

Anna Fonte's Paper Planes

Words, images & collages tossed from a window.

Postcards from Barton Springs

Gayle Brennan Spencer - sending random thoughts to and from South Austin

The Flask Half Full

Irreverent travelogues, good drinks, and the cultural stories they tell.

Government Book Talk

Talking about some of the best publications from the Federal Government, past and present.

Cadillac Society

Cadillac News, Forums, Rumors, Reviews

Ob360media

Real News That Matters

Mealtime Joy

bringing joy to family meals

Øl, Mad og Folk

Bloggen Øl, Mad og Folk

a joyous kitchen

fun, delicious food for everyone

A Perfect Feast

Modern Comfort Food

donnablackwrites

Art is a gift we give ourselves

Fridgelore

low waste living drawn from food lore through the ages

BeckiesKitchen.com

MUSINGS : CRITICISM : HISTORY : NEWS

North River Notes

Observations on the Hudson River as it passes through New York City. The section of the Hudson which passes through New York is historically known as the North River, called this by the Dutch to distinguish it from the Delaware River, which they knew as the South River. This stretch of the Hudson is still often referred to as the North River by local mariners today. All photos copyright Daniel Katzive unless otherwise attributed. For more frequent updates, please follow northriverblog on Facebook or Instagram.

Flavorite

Where your favorite flavors come together