Category: ENTERTAINMENT

Biographies, campaign studies, general histories, and analyses form the core of any season’s mountain of Civil War scholarship, but publishers in 2015 offer excellent work that both casual and serious readers of the Civil War should know about. The rich bounty is likely — in part, at least — a result of the sesquicentennial sunshine that bathed the Civil War academic field for the last five years. Here are a few highlights.

No publishing season is stronger than when Gary W. Gallagher contributes one of his essay anthologies on a military campaign. Late September will see Cold Harbor to the Crater: The End of the Overland Campaign (University of North Carolina Press, 360 pp., $35), edited by Gallagher and Caroline E. Janney. The title suggests their overall argument, which marks the end of the pointless Battle of the Crater as the true conclusion of the brutal three-month-long confrontation between Lee and Grant in 1864. Only then, the historians argue, did siege warfare become the Union’s primary tool for the final strangulation of the Confederacy’s most important army and capital city. As with each of the entries in the Military Campaigns of the Civil War series, contributors examine military strategies and tactics, focus on particular participants, and consider how home-front politics and civilian expectations affected and were affected by Confederate military strategy.

J. Matthew Gallman offers a fascinating intellectual and cultural history with Defining Duty in the Civil War: Personal Choice, Popular Culture, and the Union Home Front (University of North Carolina Press, 336 pp., $45), in which he considers how Northerners perceived their obligations of duty and citizenship as their nation endured civil war. He explores how novels and songs, poems and news stories, editorials and cartoons all contributed citizens’ understanding of where they fit in the home-front tapestry and how they could each contribute to the war effort. Race, class, and gender all played key roles in that psychological and political dynamic, and Gallman’s work skillfully weaves together those elements into a fresh historical analysis.

Bradley R. Clampitt’s The Civil War and Reconstruction in Indian Territory (University of Nebraska Press, 200 pp., $25) promises a fascinating examination of the dynamics of war, political power, the collapse of slavery, and racial re-ordering within the context of Native America. Clampitt assembles a bouquet of essays by stellar scholars to explore the antebellum, wartime, and postwar tensions between tribes and nations, their calculated loyalties to North or South, and questions over the future of former slaves and indigenous participants in the war. Any understanding of the historical scope and effect of the Civil War’s overall political and social consequences is incomplete without an intelligent incorporation of Indian experiences and memories. Clampitt’s collection, scheduled for a December release, is certainly a work to anticipate and savor.

Pair that perspective with The World the Civil War Made (University of North Carolina Press, 392 pp. $29.95), an essay anthology edited by Gregory P. Downs and Kate Masur. More than a dozen stellar historians consider how postwar policies and consequences rippled throughout specific political and social dynamics in U.S. territories, in the U.S. Southwest, and across the world. The work’s great strength is its embrace of multiple national and international stories unfolding simultaneously, affecting and affected by each other, all contributing to a vibrant array of societies grappling with new notions of liberty and republicanism in a post-slavery world.

Terry Alford contributes a long-overdue re-assessment of John Wilkes Booth with Fortune’s Fool: The Life of John Wilkes Booth (Oxford University Press, 416 pp., $29.95). Alford’s Booth carried multiple psychological burdens throughout his life. He endured the pressure of measuring up to his successful thespian father and brothers. His inherent gifts as an actor/performer quickly shoved his life under a burning and blinding spotlight of celebrity. His fury over the Confederacy’s defeat warped his identity from an actor into a self-proclaimed citizen-soldier defending Southern honor and survival, with a deadly determination to seize a starring role on the Civil War’s bloodstained stage. These pressures combined to turn Booth into the madman who concocted multiple harebrained plots to destabilize the Lincoln administration. Booth doomed the post-war prospects of racial peace and progress with a single gunshot, and he catapulted Andrew Johnson, one of the worst presidents in U.S. history, into the center of political power just when Lincoln’s political genius was most needed.

Mark Smith presents a fascinating examination of the sights, sounds, and scents of war with The Smell of Battle, the Taste of Siege: A Sensory History of the Civil War (Oxford University Press, 216 pp., $22.36). Basing his exploration on descriptions he found in letters and other primary sources, he attempts to reconstruct what it felt like to be submerged in a Confederate submarine, what it tasted like to live in a city under Union siege, and what it sounded like to hear Confederate shells pound Fort Sumter into submission. Too few historical works explore their subjects from such an elemental and creative perspective. Smith offers details that belong in every lecture, speech, and conversation about the Civil War.

James M. McPherson offers a book-length response to the deceptively simple question, “why does the Civil War matter?” His recent work, The War That Forged a Nation: Why the Civil War Still Matters (Oxford University Press, 224 pp., $27.95), is more relevant than ever. If nothing else, the violent first half of 2015 offered stark and violent case studies to bolster his arguments. There was certainly no better example than recent debates over the Confederate flag, its multifaceted significance throughout the U.S., and the reasons for and against its presence amidst the everyday imagery of American life and culture.

Public and political bitterness over the intractability and enduring power of institutional racism, the historical understanding and explanation of the reasons for the Civil War, the long journey of civil rights through the nineteenth, twentieth, and now twenty-first centuries, debates over the power of federal and state governments — all are titanic, central, and deeply painful issues that the Civil War confronted like no other event in U.S. history. Every citizen’s pursuit of happiness intersects with or passes over or under each of these issues, among many others, and a better understanding of the war affords all of us better maneuverability past the heated rhetoric, better capacity to comprehend how those issues shape our societies, and better appreciation of our history’s overall vital importance to our American life.

Also:

I recently received wonderful news from the Society of Civil War Historians. According to their press release, the Society and the Watson-Brown Foundation honored Shauna Devine, assistant history professor at the University of Western Ontario, with the Tom Watson Brown Book Award for 2015 for her excellent 2014 book Learning from the Wounded: The Civil War and the Rise of American Medical Science (University of North Carolina Press, 2014, 384 pp., $39.95). The book explored how the war enabled U.S. physicians to improve their medical expertise, share their hard-won knowledge in new ways, and link their experiences with the larger international medical community. It was crucial to my recent work as a research assistant as I broadened and deepened my understanding of Civil War medical history. Highly recommended.

Read more about Devine’s honor here.