Amerikan Rambler: Podcast 22: ‘Narcos’ and the South South of the South

From Sept. 2016: “Colin uses the Netflix drama ‘Narcos’ as a jumping off point for talking about his fascination with the deep, deep South: the Caribbean and South America.”

Colin uses the Netflix drama “Narcos” as a jumping off point for talking about his fascination with the deep, deep South: the Caribbean and South America.

via Podcast 22: Narcos and the South South of the South — Amerikan Rambler: Everybody Has a Story

Amerikan Rambler: My Favorite 15 Compilation Albums

From Aug. 2016: “Music fans love lists.”

Music fans love lists. Don’t believe me? Watch “High Fidelity,” the best movie about music fans, which even includes a “Top Five Songs about Death.” So, here it is, my favorite compilation albums of all time.

via My Favorite 15 Compilation Albums — Amerikan Rambler: Everybody Has a Story

Amerikan Rambler: Podcast 15: Ed Ayers and Gary Gallagher

From July 2016: “Ed Ayers and Gary Gallagher are two of the best southern historians working today.”

Ed Ayers and Gary Gallagher are two of the best southern historians working today. Ed Ayers is from Tennessee, taught at UVA, and is now president emeritus and professor at the University of Richmond. Gary Gallagher came to UVA by way of Penn State, University of Texas, Colorado, and Los Angeles. Both are now working in the field of Civil War studies.

via Podcast 15: Ed Ayers and Gary Gallagher — Amerikan Rambler: Everybody Has a Story

Gelatin Dry-Plate Glass negatives in the San Antonio Light Photograph Collection

What an incredibly fascinating collection.

Tom Shelton's avatarThe Top Shelf

Shortly after purchasing the San Antonio Light in 1924, Hearst newspapers hired Jack Specht to be their first full-time staff photographer for the daily paper. Specht used a Graflex camera with 4×5 inch glass negatives to capture the image. The negatives were ordered from photographic supply companies. Since the camera was bulky and the glass negatives somewhat expensive, Specht often took only one photograph to accompany most news stories. Specht and the other staff photographers processed approximately 23,500 glass plates before switching to film negatives in 1936. The Hearst Corporation donated the glass negatives to our collection in 1979.

Specht established a routine that was followed by subsequent photographers. The photographer returned from the assignment and immediately developed and fixed the glass plate in chemical solutions. Once the plate was dry, he wrote the names of the subjects in graphite in the margins on the emulsion side—a procedure that often…

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Amerikan Rambler: Podcast 14: Nelson Lankford

From July 2016: “He talks with Colin about doing Civil War history, the publishing industry, the writing process, and the recent exit of the United Kingdom from the European Union.”

Nelson Lankford is the author of several books about the Civil War, including “Richmond Burning” and “Cry Havoc!: The Crooked Road to Civil War, 1861.”

via Podcast 14: Nelson Lankford — Amerikan Rambler: Everybody Has a Story

Amerikan Rambler: Podcast, Episode 9: James M. McPherson

From April 2016: “James McPherson is the Dean of Civil War historians.”

He has also won the Lincoln Prize twice, for “For Cause and Comrades:Why Men Fought in the Civil War” and “Tried by War: Abraham Lincoln as Commander in Chief.” He is the author more recently of “Embattled Rebel” and “The War that Forged a Nation” both published in 2015.

via Podcast, Episode 9: James M. McPherson — Amerikan Rambler: Everybody Has a Story

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Observations on the Hudson River as it passes through New York City. The section of the Hudson which passes through New York is historically known as the North River, called this by the Dutch to distinguish it from the Delaware River, which they knew as the South River. This stretch of the Hudson is still often referred to as the North River by local mariners today. All photos copyright Daniel Katzive unless otherwise attributed. For more frequent updates, please follow northriverblog on Facebook or Instagram.

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